The Magician

The Magician

हिंदी के लिए कृपया यहाँ क्लिक करें
Purchase Here on Amazon
Purchase Here on Flipkart
Purchase Here on +91 9723106181

The Upright Readings

creativity, self-confidence, dexterity, sleight of hand, will-power, skill, Manifestation, resourcefulness, power, inspired action

This card is a 'Yes' positive card. Chakradhar Lord Krishna fight on the battlefield with a very creative strategy. You are also very creative at this time. You are solving the problems of your life creatively.

Chakradhar is confident about victory. Your victory is also certain. You have confidence, courage, and patience.

Dexterity, cleverness, willpower, you have these qualities. You deftly defeat your enemies. Your willpower is tremendous. When you are determined to do something, there is no obstacle to stop you. Skill and fearless expression are what characterizes you.

You always do things positively with available resources. See the power, and the action behind it, people get immediately inspired by you. Be victorious.

The Reverse Readings

delay, unimaginative, insecurity, lack of self-confidence, Manipulation, poor planning, untapped talents

Chakradhar Krishna always delays his decisions. You have the same quality. After forgiving a hundred sins of Shishupala, Lord killed him after the 101st sin. Your decisions can be unimaginable. You expect a very secure environment. Sometimes being too emotional, you lose confidence.

You do not believe in the manipulation of money, but the situation turns in such a way that the manipulation becomes indicative of the time. Even if it involves a bad plan and hidden talent to execute it. Lord Krishna has given the message that everything is fair in love and war. It is necessary to win anyhow! You may make fatal decisions. Please remember he was the Lord. It is advisable to be in moderation.

The Magician
I know, here, many Indian wise students have a divine smile on their face. Lord Krishna as THE Magician.

He is holding Sudarshan Chakra (A very advanced Weapon to destroy the universe) in his right hand. This still is from the Battlefield of Mahabharat. Again, here please study the body language posture. European Tarot card artist has shown red ‘clock’ on Magicians shoulders, where Lord Krishna has red cloth since from thousands of years.

The detailed explanation of Sudarshan Chakra and the importance of the Mahabharat battlefield is explained in the next part of this tract.

The magician has an infinity sign over his head, where Lord Krishna has his divine aura.

The Sudarshana Chakra is a turning, circle like weapon in a real sense signifying "Plate of Auspicious Vision", having 108 serrated edges utilized by the Hindu god Vishnu or Krishna. The Sudarshana Chakra is by and large depicted on the right back hand of the four hands of Vishnu, who likewise holds a shankha (conch shell), a Gada (mace) and a padma (lotus). While in the Rigveda, the Chakra was Vishnu's image as the wheel of time and by the late period, the Sudarshana Chakra arose as an ayudhapurusha (human structure), as a savage type of Vishnu, utilized for the annihilation of devils. In Tamil, the Sudarshana Chakra is otherwise called Chakrathazhwar (Ring/Circlet of God)

The word Sudarshana is gotten from two Sanskrit words – S signifying "great/propitious" and Darshana signifying "vision". In the Monier-Williams word reference the word Chakra is gotten from the root or and alludes among numerous implications, to the wheel of a carriage, wheel of the sun's chariot or allegorically to the wheel of time.

The human type of Sudarshana can be followed from discoid weapons of old India to his obscure multi-outfitted pictures in the middle age time frame in which the Chakra served the preeminent god (Vishnu) as his dedicated chaperons. While the two-outfitted Chakra-Purusha was humanistic, the middle age multi-furnished Sudarshana was hypothetically viewed as an indifferent appearance of damaging powers in the universe; that, in its last viewpoint, consolidated the flaring weapon and the wheel of time which obliterates the universe.

The Chakra discovers notice in the Rigveda as an image of Vishnu, and as the wheel of time, and in the Itihasas and Puranas. In the Mahabharatha, Krishna, related to Vishnu, utilizes it's anything but a weapon. For instance, he guillotines Shishupala with the Sudarshana Chakra at the Rajasuya yagna of Emperor Yudhishthira. He additionally utilizes it during the fourteenth day of the Mahabharata War to puzzle Duryodhana by bringing Jayadratha before Arjuna by concealing the Sun with his chakra. Eventually, the Kauravas get tricked and consequently Arjuna retaliates for the demise of his child. As per the Valmiki Ramayana, Purushottama (Vishnu) killed a Danava named Hayagriva on top of a mountain named Chakravana developed by Vishvakarma and removed a Chakra for example the Sudarshana Chakra from him.

In the Puranas, the Sudarshana Chakra was made by the designer of divine beings, Vishvakarma. Vishvakarma's girl Sanjana was hitched to Surya. Because of the Sun's bursting light and warmth, she was unable to go close to the Sun. She whined to her dad about this. Vishvakarma made the sun sparkle less so his little girl could embrace the Sun. The extra stardust was gathered by Vishvakarma and made into three heavenly articles,

(1) the flying vehicle Pushpaka Vimana,
(2) Trishula of Shiva,
(3) Sudarshana Chakra of Vishnu.

The Chakra is depicted to have 10 million spikes in two columns moving in inverse ways to give it a serrated edge.

Sudarshana Chakra was utilized to cut the cadaver of Sati, the partner of Shiva into 51 pieces after she surrendered her life by hurling herself in a yagna (fire penance) of her dad Daksha. Shiva, in anguish, hauled around her dead body and was sad. The 51 pieces of the goddess' body were then thrown about in various pieces of the Indian subcontinent and became "Shakti Peethas".

In the Mahabharata, Jayadratha is liable for the demise of Arjuna's child, Arjuna vowing to vindicate him by killing Jayadratha the extremely following day before nightfall. Anyway Drona makes a mix of three layers of troops, which go about as a defensive safeguard around Jayadratha. So Krishna makes a counterfeit dusk utilizing his Sudarshana Chakra. Seeing this Jayadratha emerges from the security to observe Arjuna's loss. At that exact instant, Krishna pulls out his Chakra to uncover the sun. Krishna then, at that point orders Arjuna to kill him and Arjuna follows his orders, decapitating Jayadratha. Likewise, in the Mahabharata, Sisupala was guillotined by Krishna after he conjured the Chakra. There are a few puranic stories related with the Sudarshana Chakra, for example, that of Lord Vishnu allowing King Ambarisha the shelter of Sudarshana Chakra in type of success, harmony, and security to his realm.

Sudarshana Chakra was likewise used to guillotine Rahu and cut the heavenly Mandara mountain during the Samudra Manthan.

The Sudarshana Chakra of Vāsudeva-Krishna on a coin of Agathocles of Bactria, around 18000 BCE. The chakra is found in the coins of numerous clans with the word gana and the name of the clan engraved on them. Early authentic proof of the Sudarshana-Chakra is found in an uncommon ancestral Vrishni silver coin with the legend Vṛishṇi-rājaṅṅya-gaṇasya-trātasya which P.L.Gupta thought was conceivably mutually given by the gana (ancestral confederation) after the Vrishnis framed a confederation with the Rajanya clan. In any case, there is no decisive verification up until now. Found by Cunningham, and presently positioned in the British Museum, the silver coin is observer to the political presence of the Vrishnis. It is dated to around first century BCE. Vrishni copper coins dated to later time were found in Punjab. Another illustration of coins engraved with the chakra are the Taxila coins of the second century BCE with a sixteen-spoked wheel.

A coin dated to 180 BCE, with a picture of Vasudeva-Krishna, was found in the Greco-Bactrian city of Ai-Khanoum in the Kunduz space of Afghanistan, printed by Agathocles of Bactria. In Nepal, Jaya Cakravartindra Malla of Kathmandu gave a coin with the chakra.

Among the solitary two sorts of Chakra-vikrama coins known up until this point, there is one gold coin in which Vishnu is portrayed as the Chakra-purusha. In spite of the fact that Chandragupta II gave coins with the designation vikrama, because of the presence of the kalpavriksha on the converse it has not been feasible to attribute it to him.

The ascent of Tantrism helped the improvement of the human exemplification of the chakra as the dynamic part of Vishnu with few figures of the Pala period taking the stand concerning the turn of events, with the chakra thusly conceivably connected with the Vrishnis. Be that as it may, the love of Sudarshana as a semi autonomous divinity concentrated with the force of Vishnu completely is a wonder of the southern piece of India; with symbols, writings and engravings surfacing from the thirteenth century onwards and expanding in huge numbers solely after the fifteenth century.

The Chakra Purusha in Pancharatra messages has either four, six, eight, sixteen, or 32 hands, with twofold sided pictures of multi-furnished Sudarshana on one side and Narasimha on opposite side (called Sudarshana-Narasimha in Pancharatra) inside a round edge, once in a while in moving stance found in Gaya region datable to sixth and eighth hundreds of years. Novel pictures of Chakra Purusha, one with Varaha in Rajgir perhaps dating to the seventh century, and another from Aphsad (Bihar) itemizing a fine representation dating to 672 CE have been found.

While the chakra is antiquated, with the rise of the human types of chakra and shankha recognizable in the north and east of India as the Chakra-Purusha and Shanka-Purusha; in the south of India, the Nayak period advocated the embodied pictures of Sudarshana with the flares. In the Kilmavilangai cave is an antiquated stone cut construction where a picture of Vishnu has been consecrated out, holding the Shanka and Chakra, without blazes. Now, the Chakrapurusha with the flares had not been imagined in the south of India. The danger of attacks from the north was a public crisis during which the rulers searched out the Ahirbudhnya Samhita, which endorses that the lord should resolve the danger by making and loving pictures of Sudarshana.

In spite of the fact that comparative thought processes incited the Vijayanagara time frame to introduce pictures of Sudarshana, there was a more extensive conveyance of the clique during the Nayak time frame, with Sudarshana's pictures set up in sanctuaries going from little far removed ones to huge sanctuaries of significance. Despite the fact that political unrest brought about the crumbling of the Vijayanagara realm, the development and revamping of sanctuaries didn't stop; with the Nayak time frame proceeding with their structural ventures, which Begley and Nilakantha Sastri note "mirrored the rulers' consciousness of their duties in the protection and advancement of all that survived from Hinduism The love of Sudarshana Chakra is found in the Vedic and in the tantric factions. In the Garuda purana, the chakra was additionally summoned in tantric rituals. The tantric faction of Sudarshana was to enable the lord to overcome his foes in the most brief time conceivable. Sudarshana's hair, portrayed as tongues of blazes erupting high framing an aura, lining the edge of the plate and encompassing the divinity surrounded by beams (Prabha-mandala) are a portrayal of the god's ruinous energy. Portrayal

Different Pancharatra messages portray the Sudarshan chakra as prana, Maya, kriya, shakti, bhava, unmera, udyama and saṃkalpa. In the Ahirbudhanya Samhita of the Pancharatra, on subjugation and freedom, the spirit is addressed as having a place with bhuti-shakti (made of 2 sections, viz., time (bhuti) and shakti (maya)) which goes through resurrections until it is renewed in its own regular structure which is freed; with the explanation and object of samsara staying a secret. Samsara is addressed as the 'play' of God despite the fact that God in the Samhita's portrayal is the ideal one with no longing to play.

The start and the finish of the play is affected through Sudarshana, who in the Ahirbudhanya Samhita is the desire of the transcendent, all-knowing, ubiquitous God. The Sudarshana shows in 5 primary manners to mind the 5 Shaktis, which are creation, conservation, obliteration, deterrent, and obscuration.